Warehouse & techno
Club and warehouse nights across Kraków's STK-47 scene — STROBE, RESONANSE, and the recurring CRASH TEST series — designed for the door, the feed, and the print run at once.
Ultra Ken, for Tres Bienski
Three palette studies of the same thermal-camera figure — shown together as they were made, not narrowed down to a single final pick.
Studio 69
An ongoing residency at Studio 69, Starowiślna 89 — monthly calendars, club nights, and the odd painting workshop, carrying one recurring monkey mascot across all of it.
Beyond the club
Poster work that steps outside the rave — a burlesque cabaret, two UkrainaTV-branded nights, and one nuclear-themed magazine spread.
Housemorphism
Self-initiated series bending Kraków's skyline into something closer to sculpture — three studies in the same warped-architecture language, shown as a set.
Landscape studies
Colour-grading experiments on personal location photography — the same walk turned into three different atmospheres.
Digital collage & glitch
Photobash humor, chromatic-aberration glitch, and kaleidoscope self-portraiture — the loosest, most unfiltered corner of the practice, made for no brief but the image itself.
Generative studies, Sora AI
Four short video loops made with Sora rather than Photoshop or Illustrator — prompted, blended, and remixed instead of drawn, each one morphing between two or three distinct renders rather than holding a single frame — the newest and least controlled corner of the practice.
Print & identity
Client collateral beyond the poster itself — a two-sided business card for Molecula ViVi, a skin and laser clinic in Kraków.
Posters are where I test ideas fastest — a new typographic move, a texture, a way of cropping a photograph — before they earn a place anywhere slower. Looked at together rather than one at a time, the archive is less about any single event and more about a recognizable hand: how I crop, where I let type break, when a photograph should stay rough. That consistency under constant variation — Photoshop and Illustrator most days, a scanner or a hand-drawn line when the brief asked for it — is the actual craft.